Month: January 2016

  • Teachers: Now a Working Class Profession

    magister“From the Sage on the Stage to the Guide on the Side” is now about 20 years old. A little shopworn, but still a…how shall I put it….goal, of some teachers and how they adapt to technology. It is the gist of an Atlantic article by Michael Godsey, a K-12 teacher witnessing the “progress” right before his eyes. Another (and earlier!) way to look at it is John Higgins’ differentiation of teacher as Magister, the German cloak-clad lecturer, and the pedagogue, a poor wise man following around the son of a rich client to explain things to him. Find this in articles from 1983 and 1984, but also in his book from 1988.

    pedagogueI have been in meetings all day, discussing the curriculum for next year. One area of contention is control of the part-time teachers (adjunct staff). I felt a palpable want, almost a need, to put restraints on behavior to standardize content among students and classes. And I think that is just because we can. Some adjunct staff even prefer to come in, teach the text, and leave. Labor rules here in Japan now promote this system of itinerant labor by capping any part-time contract at 5 years, requiring the university to make them full time, or let them go. So now we have churn.

    But the attitude toward teachers (no, not adjunct staff), even though most are highly qualified to deliver a quality course, even when asked to provide their own materials. And yet…that desire to make sure they are doing not just anything they want is still there.

    Which brings me to an article at one of my favorite websites, Hybrid Pedagogy. John Rees asks How long will your class remain yours? Here is the first paragraph.

    The late labor historian David Montgomery wrote famously about workers’ control in America during the late-nineteenth and early-twentieth centuries. “At times the story involved little more than silent and opaque resistance to the demands and innovations of employers,” he suggested in 1979. “At other times, workers in skilled crafts adopted and fought to enforce collective work rules through which they regulated human relations on the job and wrestled with the chronic menace of unemployment.” When I first read those words, I was in graduate school. I never thought they’d actually apply to me. Now, I believe that the working class in academia at all levels of employment are beginning to move from the first set of times that Montgomery described to the second.

    He goes on to paint a very dark picture, but does leave the doorway open a crack with the following: “However, the key takeaway here should be that every professor should adopt only those tools that best fit their style of teaching (perhaps including parts of the LMS if they meet a particular need).”

    The problem is, that most teachers today don’t know how to use many tech tools for teaching and thus will be at the mercy of those who do, the programmers and instructional designers. So if you don’t start putting some online tools in your toolbox, and learn how to use them in a class, or even outside a class, online, you will have to learn tools assigned to you.

    I had my last graduate school class of the academic year (we start in April, end in February), and my student was worried after we went through the Atlantic article (link above). She was worried that she would be out of a job. I told her first, not in Japan. The horizon of change you can see in the US, but here, not even a hint. She is still trying to get a projector and laptop for her high school classroom, all she has now is a blackboard. Second, language learning is like learning a sport, or a musical instrument. Really difficult to put online. So we are safe, as long as we learn how to adapt the tech to us, before the admins try to make us adapt to the tech.

  • Tired of Mr, Mrs, Ms? Why not Mx?

    moto-cross-214937_640No, not motocross, which is what we used when I was a teen on a bike.

    This is a salutation, a title. The only time I use this in English any more is when I sign up to present at a conference. Some organizations insist I pick a title. But now on to the crux of the matter.

    Why not use Mx for everything? I didn’t realize that sex-based titles have only been around since the mid-1800’s. Go figure. Before that they were mostly about class and status. Read more about this over at Language: A Feminist Guide.

     

  • New Science Fiction with an old twist

    Kurt Vonnegut

    I am having a ball. Reading fiction again. Short stories nonetheless. Science Fiction. All because of Neal Stephenson.

    It was mostly detective novels in junior high, but when I got to high school, Kurt Vonnegut and Robert Heinlein got me hooked on science fiction. I wanted to be a chemist and felt science was the best thing man had created. We had just walked on the moon, and I was ready to follow. I told my 6th-grade teacher I would be on the moon before the new millennium. I only got to Japan, but that is pretty close.

    Asimov, the Foundation Trilogy. The Dune Trilogy by Frank Herbert, with the extra couple tacked on. Cycle back to the new Vonnegut, less science, more fiction. I credit him as much as my church for the decision to be a Conscientious Objector, refusing to go to Vietnam.

    Mid-career took me away to Tom Clancy and Stephen King, still fiction, but light. Oh so light. I was busy raising a family. Then on to non-fiction. I have drifted into almost exclusive non-fiction until about a year ago. Not sure what happened. Maybe I can finally see the light at the end of the tunnel. Retirement. I can see all the non-fiction was good, but not so sure it helped a lot. I know a lot of things.

    So some Thomas Pynchon last year, and I did a course in poetry. I am starting to “get” poetry. Just have to keep at it.

    31KQ4hL96SL._UX250_Don’t get me wrong, but there has been one big exception, the James Joyce of our day, Neal Stephenson. Cryptonomicon is my favorite. The Baroque Cycle the most rewarding. I read everything he writes, down to branching fiction about sword-fighting on a website (Mongoliad). Last year, Seveneves came out and it was more science than in a long time. Some great new concepts about the world too.

    Best of all, he has been involved in the Project Heiroglyph, based at Arizona State University. The goal of the project is to bring back science fiction from its current state of common dystopia to something that works closer with scientists, to stimulate and be stimulated, to advance the human race. The first book came out over the summer, and I bought it, but only started reading yesterday. Can’t put it down, except to write this. Good thing my classes are all prepared.

    The first story is by Stephenson, about building a skyscraper…..actually a skypuncturer. Twenty kilometers high, this building goes right up into space. A crazy billionaire starts the project and has his ashes taken up to the top to get sprinkled, just as an unforeseen event occurs. Typical Stephenson, but with a tack that feels good.

    Kathleen-Ann-Goonan-Credit-Joseph-Mansy3-206x300The second story is by Kathleen Ann Goonan and it blows me away. Illiteracy is a disease. It gets cured. The guinea pigs are the dyslexics, and a little girl is the hero. Eventually, the treatment to improve brain function no longer needs drugs, but just mental stimulation from one to another. When everyone can read, it changes how people interact. Fear falls away. Education goes away, learning triumphs. I don’t want to spoil it, but I just bought her other books, and both volumes of Arc Magazine. See you in April.

     

  • Netflix in Japan, Death and Comedy

    OK, I now understand why Netflix is such a big success. Sure, people said that the all-you-can-eat model helps, and now with “binge-watching” of entire seasons of TV, Netflix is the perfect delivery mechanism. So when it came to Japan last September, I signed up. I watched a few shows, but did not get rolling until New Year Vacation.

    NetflixI am a documentary addict, so when Making of a Murderer came out, I was there. The problem is, you can’t binge watch a documentary, especially one like this, unless you want to blow your brains out. I am about 2/3 the way through this tale of two trials of one man, initially convicted for rape, serving 18 years before being exonerated by DNA tests. As soon as he gets out, he sues the police, and lo and behold, he gets charged with murder this time. The parallels between the two trials are amazing.

    I vacillate between the horror of the banality of evil and the stupidity of so many of the people in this story. The family of the persecuted and prosecuted Steven all seem to have an IQ of about 70. But the police and DAs, along with state officials and even the FBI don’t seem much better. Are they covering their ass or is he really guilty. Like any good story (see the podcast Serial, season 1 for inspiration), the perception goes back and forth. The whole thing is set 100 miles north of where I grew up, in rural Manitowoc County in Wisconsin the midwest US. My aunt lives not far away. They all have Wisconsin accents (never realized there was such a thing, until I saw this movie, after living abroad so long).

    Netflix 2So, to avoid blowing my brains out, I would watch 1 episode of the documentary, and sandwich in a comedy. Sherbet for the palate. Yesterday I watch Iliza Schlesinger rock Denver in a one-hour stand-up routine about women and relationships. Great stuff. But today, after more trials, tribulations, and documentary, I see John Mulaney, The Comeback Kid. John is playing at a theater downtown Chicago, looks like the Drake Hotel. Curved ceilings and all. But I find he is from Chicago. Catholic family. 4 kids. The parallels are awesome, and so is his humor. Side-splitting. Gotta see it. Really.

     

    Now back to my murder.